It’s been a hit and miss year in music. There were career stalls and starts galore. Sales were up and down…and down. iTunes owns my house. Once again the year was backloaded. These are the albums that made me very happy in 2005:

01. ‘I Am A Bird Now’–Antony and the Johnsons (Secretly Canadian) Released 02.01.05
To find the appropriate words to describe the devastating beauty and emotional impact of this album is almost impossible. Nearly orchestral in composition, confessional in its words and hauntingly sung by Antony in a remarkable baritone voice that seemingly changes from a masculine timbre to a feminine one in a split second–’I Am A Bird Now’ is masterful, emotional and unforgettable. This album transcends the year and will become a must-have classic for the decades. Key tracks include: ‘Hope There’s Someone’, ‘My Lady Story’, ‘For Today I Am A Boy’, ‘You Are My Sister’ and ‘Free At Last’.

02. ‘Breakaway’–Kelly Clarkson (RCA) Released 11.30.04
The only hold-over from 2004, ‘Breakaway’ clocked in as my #7 pick last year. There’s no denying that ‘Since U Been Gone’ was only the beginning for an album filled with hit-single potential. This one just didn’t leave my playlist all year long. The girl has pipes and erases any doubt that she is THE American Idol. Key Tracks: ‘Behind These Hazel Eyes’, ‘Because Of You’, ‘Addicted’, ‘Hear Me’, ‘Beautiful Disaster’.

03. ‘Electric Blue’–Andy Bell (Sanctuary Records) Released 10.04.05
The familiar (and unforgettable voice) of Erasure strikes out solo to produce the dance album of the year. An electro-synth House smorgasbord, ‘Electric Blue’ is one of those rare albums that catches you at the intro and never lets your ears–or your moving body parts–get away. Working with the duo of Phillip Larsen and Chris Smith, Bell has concocted a confection that harkens the halcyon days of Giorgio Moroder and Studio 54. The album features some great supporting vocals from Claudia Brucken and Jake Shears. Key Tracks: ‘Caught In A Spin’, ‘Crazy’, ‘Jealous’, ‘Shaking My Soul’, ‘Love Oneself’.

04. ‘Back To Bedlam’–James Blunt (Atlantic/WEA) Released 10.04.05
A very strong debut from this U.K. import. James Blunt has one of those voices. Unique. Heartfelt. Filled with conviction. In a scant ten songs, Blunt puts together a cohesive unit of well-written ballads and proceeds to paint pictures with his emotive voice. Some of the best songwriting of the year appears on this disc. Key Tracks: ‘No Bravery’, ‘Goodbye My Lover’, ‘So Long Jimmy’, ‘Tears And Rain’.

05. ‘Amos Lee’–Amos Lee (Blue Note Records) Released 03.01.05
The sleeper disc of the year. It is much too easy to dismiss Amos Lee as another folk/neo-soul singer/songwriter. To do so, does not pay service to the passion and stark beauty of Lee’s vocals. Most of the songs are spare on arrangement, which works perfectly to allow Lee’s voice to slice through silence like a razor. The track ‘Soul Suckers’ is my favorite unreleased cut of 2005. Sheer brilliance. Key Tracks: ‘Keep It Loose, Keep It Tight’, ‘Arms Of A Woman’, ‘Black River’, ‘Seen It All Before’, ‘All My Friends’.

06. ‘Confessions On A Dance Floor’–Madonna (Warner Bros./WEA) Released 11.15.05
She’s back in a big way. Returning to her roots in more ways than one, Madonna recalls what fans have always loved about her–you can dance for inspiration. While most are busy dancing their butts off, I would argue that if you look closely enough COADF is one of Madge’s most personal and intimate discs thus far. She examines not only her spectacular career, but the woman inside. Key Tracks: ‘Sorry’, ‘Push’, ‘Jump’, ‘Let It Will Be’, ‘Like It Or Not’.

07. ‘Brokeback Mountain’–Original Motion Picture Soundtrack (Verve) Released 11.01.05
The best soundtrack album of 2005 from my pick as the best film of 2005. From the haunting original score of Gustavo Santaolalla, to the dreamy and period-appropriate vocals from the likes of Emmylou Harris, Teddy Thompson, Willie Nelson and Rufus Wainwright, this one is a true delight. Key Tracks: ‘A Love That Will Never Grow Old’, ‘He Was A Friend Of Mine’, ‘Riding Horses’, ‘No One’s Gonna Love You Like Me’.

08. ‘Divide’–Casey Stratton (Two Disc Limited Edition) (Sleeping Pill Music) Released 11.18.05
Mr. Stratton’s major-label debut ‘Standing At The Edge’ was my #1 album of 2004. Having severed ties with Sony has served to only enhance the introspective nature of Stratton’s sublime songwriting. The two-disc limited edition is a must–for fans and the uninitiated–to experience a musical journey of moods in 24 masterful tracks. Brooding, intense, and emotionally satisfying, this indie release deserves your dollars. Key Tracks: ‘Opaline’, ‘Sorry I…’, ‘Resistance’, ‘The Waiting’, ‘Pray For Rain’, ‘Coercion’.

09. ‘Ringside’–Ringside (Geffen Records) Released 04.19.05
The duo of Scott Thomas and Balthazar Getty should have had a hit record this year. Unfortunately, their label bungled right out of the starting gate with the debut single ‘Spanishfaster’–which was abruptly renamed ‘Tired Of Being Sorry’. With a strong trance/electronic vibe, Ringside is all about the beats and the torture. Thomas’ vocals are gritty, gravelly and griping. Getty loads up on the beats and hooks. This one was severely overlooked. Though, the track ‘Struggle’ is now a ubiquitous jingle for a car advertisement–the album deserved much more critical attention. Key Tracks: ‘Spanishfaster’, ‘Strangerman’, ‘Miss You’, ‘Trixie’, ‘Struggle’, ‘Talk To Me’.

10. ‘Wreck Of The Day’–Anna Nalick (Sony) Released 04.19.05
In a sea of interchangeable Lohan/Duff/Spears waifs, Anna Nalick delivered the goods and produced the female debut of the year. At 20, Nalick is a writer/singer/musician who has a lot to say. What’s more it all deserves to be heard. Confessional and urgent, Nalick has crafted some quite lovely pop tunes. Key Tracks: ‘Breathe (2 A.M.)’, ‘Forever Love (Digame)’, ‘Citadel’, ‘Catalyst’, ‘In The Rough’.
Honorable Mentions: ‘Life In Slow Motion’–David Gray; ‘Almost Honest’–Josh Kelley; ‘Daniel Powter’–Daniel Powter; ‘Golden’–Elkland; ‘Carencro’–Marc Broussard; ‘Where You Live’–Tracy Chapman; ‘This Is My Life’–Jason Walker; ‘I’ve Got My Own Hell To Raise’–Bettye LaVette; ‘Extraordinary Machine’–Fiona Apple; ‘Gimme Fiction’–Spoon; ‘Odyssey’–Fisherspooner; ‘With Teeth’–Nine Inch Nails; ‘Bleed Like Me’–Garbage;